一、个人简介

Huiping Pang（彭慧萍），美国籍。美国斯坦福大学(Stanford University)艺术史博士, 中央美术学院美术史论系博士, 台湾师范大学中国艺术史硕士, 台湾辅仁大学社学系学士。曾任教于美国爱荷华大学(University of Iowa)、香港岭南大学，担任香港故宫中国艺术策展人、Homerlee’s Art Center 策展人。得过奖项包括美国Smithsonian Institution Postdoctoral Fellowship, Andrew W. Mellon Fellowship, Stanford University Humanities Center Geballe Prize Fellowship, Mellon Foundation Fellowship.

二、研究方向

1. 中国艺术史

2. 文物收藏与书画鉴定

3. 宋代官制史

4. 宋元明清宫廷制度史

5. 博物馆策展

三、主授课程

Imperial Collecting, Patronage, and Taste in China and Japan

Architectural Drawings in Chinese Art

Cultural Transmissions of East Asian Art

Asian Art and Culture

Brushwork in Chinese Art

Imperial Art Collections in China and Japan

Pagodas and Palaces

Connoisseurship Studies of Chinese Painting, Calligraphy, and Seals

Curatorial Practice

四、学术专著

1. 《虚拟的殿堂: 南宋画院之省舍职制与后世想象》, 北京大学出版社, 2018年, pp. 1-323.

2.《宫廷番马画: 宋代间谍画家笔下的辽金游牧民族》, 北京大学出版社, 2023年, forthcoming.

五、主要论文

1. “Street Painters Who Worked for the Southern Song Court and Linan Market.” 一扇在手: 南宋宫廷与临安市场间的自由画家. Art Observation 美术观察 9 (2024): 83-97.  [CSSCI]

2. “The Mountain Hermit Who Counterfeited Art: Late Ming forger Zhu Xiaohai (ca. 1573-1634) and His Son” 山人捉刀：晚明伪作者朱肖海的职业生涯与代际承传. Palace Museum Journal 故宮博物院院刊 12 (2023): 128-143.  [CSSCI]

3.“Southern Song Freelance Painters (1127-1279): Commerce between the Imperial Court and the Linan Art Market.” Journal of Chinese History 7 (2020): 1-36 [Cambridge Core Journal].

4.“Art History Under the Microscope: An Experimental Approach to the Monochrome Wangchuan Painting.” Artibus Asiae 79.2 (2019): 151-195. [AHCI]

5.“Heritage or Imperial Violence: A Hidden History of Early Ming (ca. 1368-1393) Princely Acquisition of Art.” Ming Studies 74 (2016): 2-26. [ESCI = Emerging Sources Citation Index]

6.“Competition and Confiscation: Reconstructing the Siyin Seal Networks in Late-Ming China.” Artibus Asiae 75.2 (2015): 221-267. [AHCI]

7.“The Confiscating Henchmen: The Masquerade of Ming Embroidered-Uniform Guard Liu Shouyou (ca. 1540-1604).” Ming Studies 72 (2015): 24-45. [ESCI]

8.“Liu Shouyou (ca. 1540-1604): The Imperial Confiscator, Art Thief, and Collector.” Conference Proceedings of Young Scholars’ Forum in Chinese Studies (Hong Kong: Chinese University of Hong Kong, June, 2014): 77-100.

9.“The Multiple Half Seals: Reconsidering the Dianli jicha si (1373-1384) Argument.” Journal of the American Oriental Society 134.3 (2014): 361-384. [AHCI]

10.“Stolen Art and Lost Inscriber: Inventory Codes on Artworks in the Tumultuous Ming Wanli Period (r. 1573-1619).” Artibus Asiae 73.2 (2012): 399-441. [AHCI]

11.“Strange Weather: Art, Politics, and Climate Change in the Middle of Emperor Huizong’s Reign (r. 1100-1125).” Journal of Song-Yuan Studies 39 (2009): 1-49. [AHCI]

12.《契丹或女真？佛利尔美术馆藏传张戡<猎骑图>观画记》，《故宫博物院院刊》2023年第7期， 页113-126. [CSSCI]

13.《发现赵家样：万花春睡图鉴别》, 《美术大观》2022年第7期, 页34-44. [CSSCI]

14.《宅院琼华: 万花春睡图》, More Sublime When Looking UP: Chinese Classical Painting and Calligraphy 《北京保利古代中国书画图录》, 2022年, 页 1-8.

15.《诡谲气象: 徽宗朝雪景画暨蔡京题跋之政治意涵》,《中国宫廷绘画研究》(北京故宫出版, 2015年), pp. 63-84.    

16.《清明上河图的季节》, 《清明上河图的故事》 (北京故宫出版, 2012年), 页 46-71.

17.《小冰期时代的赤膊者: 清明上河图的季节论辩与写实神话》, 《清明上河图新论》 (北京故宫出版, 2011年), 页 42-77.

18. 《尚书省印之研究回顾暨五项商榷》, 《故宫博物院院刊》2009年第1期, 页 44-59. [CSSCI]

19.《存世书画所钤尚书省印考》,《文物》2008年第11期, 页77-93. [CSSCI]

20.《南宋宫廷画师之供职模式研究》,《故宫学刊》2007年第3期, 页 230-251.

21.《走出宫墻: 由画家十三科谈南宋宫廷画师的民间性》,《艺术史研究》2005年总7期, 页 179-216. [CSSCI]

22.《南宋画院之省舍职制与后世想象》,《故宫学刊》2005年总2期, 页 62-86.

23.《两宋宫廷书画储藏制度之变: 以秘阁为核心之鉴藏机制研究》,《故宫博物院院刊》2005年第1期, 页 12-40. [CSSCI]

24.《时代的烙痕: 大都会博物馆本胡笳十八拍图卷官字烫印之断代研究》,《中国历史文物》2004年第4期, 页 36-46. [CSSCI]

25. 《烫印的破绽: 由马臀烫印质疑波士顿本胡笳十八拍图册之版本年代》,《故宫博物院院刊》2004年第2期, 页 77-91. [CSSCI]

26.《错综的血亲: 对波士顿本胡笳十八拍图册作为刘商谱系祖本原型之数点质疑》,《故宫博物院院刊》2004年第1期, 页 12-27. [CSSCI]

27.《南宋宫廷画师外转使臣之身分变换机制: 以陈居中为例的个案研究》, 《艺术史研究》2003年总5期, 页 399-443. [CSSCI]

28.《台北故宫藏出猎图、回猎图之画题源流析探》,《国立历史博物馆馆刊: 历史文物》2002年第8期, 页30-40. [THCI]

29.《马臀烫印与番马画鉴定: 以台北故宫本胡笳十八拍图册为例的断代研究》,《艺术史研究》2002年总4期, 页403-432. [CSSCI]

30. 《挥麈前录: 写在简文仁油画个展“走过新庄老街”之前》, 《艺术家》2002年第7期, 页558.

31. 《刘国正油画作品画尘系列赏析》, 《艺术家》2002年第2期, 页514.

32. 《上海画家朱神刚油画敦煌、春秋印象选介》, 《典藏今艺术》2002年第2期, 页155.

33.《戛戛独造, 绝世风格: 评刘兴祚釉陶作品飞天》,《艺术家》2002年第2期, 页 504.

34.《俊异绝伦, 一飞千里: 评邓廉怀雕塑俯视》,《当代艺术新闻》2002年第1期,页 85-86.

六、主要会议论文

1.“Peripheral Collectors: Ways to Uncover Ming (1368-1644) Art Confiscation Events.” Art Collecting and Connoisseurship Conference (Zhejiang University, November 26, 2022). 

2.“No More Fear: How Did the Southern Song Nuo Exorcists Cope with Pandemics.” Harvard International Conference on Kinesthetic Forms (Harvard University CAMLab, November 12, 2022).

3.“Routing with Ambassadors: An Unstudied Painting in Ming Maritime Trade.” Middle West Art History Society Annual Conference 2021 (MAHS Virtual Meeting, March 18, 2021).

4.“Art and Contingent Labor under Southern Song Imperial Court (1127-1279).” College Art Association Annual Conference (Chicago: February 12-15, 2020).

5.“China, Japan, or Korea? An Anonymous Dragon Scroll and Its Diplomatic Significance.” Chinese Art in the Global Context from the Fifteenth to the Eighteenth Century (Beijing: Central Academy of Fine Arts, November 2-3, 2019).

6.“Nine Drafts for One Stroke: A Mural Painter’s Underdrawings on Handscrolls.” CHIA World Congress: Motion and Transformation (Florence: Italy, September 1-6, 2019).

7.“The Voyaging Creature: How Ming-era Diplomacy Inspired the Painting Style of Muromachi  Japan (14th-16th c.).” Association for Asian Studies Annual Meeting (Denver: March 22, 2019).

8.“From Southern Song (1127-1279) Court Artists to Ningbo Regional Workshops.” A Comprehensive Look: The Cultural Biography of the Daitokuji Five Hundred Luohans From Local to Global Context Kyushu University, Japan (June 1-4, 2018).

9.“Planting Fungus at the Tiaosou-an Cottage: Coded Messages in Chen Jiru’s (1558-1636) Mountain-Garden.” in Scaling the Ming, An International Conference (Vancouver: University of British Columbia, May 18, 2018).

10.“Resurrecting a Tang Legend in the Jurchen Jin Dynasty (1115-1234): The Art Institute of Chicago’s Monochrome Villa Painting.” Second Conference on Middle Period Chinese Humanities (Amsterdam: Leiden University, September 15, 2017).

11.“State Control in Ming Imperial China, 1368-1644.” Reception, Reputation and Circulation in the Early Modern World, 1500-1800 (Galway: National University of Ireland, March 22, 2017).

12.“How Ming Emperors (1368-1644) Used Ledgers to Control Trans-regional Communication.”  2017 Association for Asian Studies Annual Meeting (Toronto: March 18, 2017).

13. “Heritage and Violence: The Unstudied Evidence of Prince Zhu Gang’s (1358-1398) Art Acquisitions.” 2015 Association for Asian Studies Annual Meeting (Chicago, March 26, 2015).

14.“Reconsidering the Dianli jicha si (1373-1384) Argument.” International Conference on Middle Period China, 800-1400 (Harvard University, June 24, 2014).

15.“The Dilemma and Masquerade of Ming Dynasty Embroidered-Uniform Guard Liu Shouyou, ca. 1540-1604.” Department of Cultural and Religious Studies. The Chinese University of Hong Kong (June 19, 2014).

16.“Dong Qichang's (1555-1636) Poems Complementing His Painting Reading in the Mountain Niu.” 2013 Association for Asian Studies Annual Meeting (San Diego, March 24, 2013).

17.“Snowscape Paintings, Climate Change, and Politics in the Middle of Emperor Huizong's Reign (r. 1100-1125).” 2011 Stanford Art History Symposium (Stanford University, April 9, 2011).

18.“The Shirtless Men in the Cold Period: Rethinking the Seasonal Debates of Qingming Shanghe tu.” International Conference on Qingming Shanghe tu Scroll (Beijing: The Palace Museum, 2008).

19.“Art, Politics, and Climate Change in the Final Years of the Northern Song, ca. 1110-1127.” Hangzhou International Symposium on Sinology and Sino-Foreign Relations and Exchanges (Hangzhou: October 25, 2008).

20.“How Did Court Painters Operate in the Southern Song Dynasty (1127-1279)?” International Academic Conference on Ancient Painting and Calligraphy Art of China (Shenyang: Liaoning Province Museum, 2006), 295-318.

21.“From Southern Song Court Painter to Ambassador: A Case Study of Chen Juzhong.” International Symposium on Ancient Chinese Court Paintings (Beijing Palace Museum, October 2003).

22.“Catastrophe and Deception: Emperor Huizong (r. 1100-1125) Versus His Ex-Grand Councilor Cai Jing (1046-1126).” 2009 Annual Graduate Conference on East Asia at Columbia University (New York: Columbia University, February 6, 2009).

七、受邀演讲

1.“New Discovery of A Jin-Era (1115-1234) Anonymous Landscape Painting” 洗尽铅华：新发现的金代无款山水画. Beijing Palace Museum (June 12, 2024).

2.“The Secret Gardens of Chen Jiru (1558-1636)”陈继儒的秘密花园. Central Academy of Fine Arts, Beijing (June 14, 2024).

3.“Jurchen Life Depicted by A Shaanxi-School Painter from Jin Dynasty (1115-1234)” 金代关陕画家笔下的女真生活. Minsheng Art Museum, Beiijng (June 15, 2024).

4.“Laio-Jin Horse Paintings at the MFA Boston” 波士顿美术馆藏辽金番马画. Paragon Book Gallery 佳作书局, October 29, 2023.

5. “Symposium Discussant for the Image and Knowledge in Song China” 宋代的图像与知识. Central Academy of Fine Arts, Beijing. Sept 29, 2023.

6.“A Painter's Dilemma: How to Survive a Competitive Art Market in Southern Song Lin'an”画家的困境: 如何在竞争激烈的南宋临安市场中求生存？School of Humanities. Hangzhou Normal University, December 7, 2022.

7.“Ugly Faces: Exploring Southern Song Folklore Culture Through an Anonymous Painting.”丑画: 南宋无款画中的民俗文化. School of Art and Archaeology, Zhejiang University (Hangzhou: Zhejiang University, November 26, 2022). 

8.“What Did an Embroidered-Uniform Guard Do Besides Reading an Erotic Novel in Late Sixteenth Century China?” Department of East Asian Studies, Brown University (April 14, 2022).

9.“Commissioned Fans: Painters between Southern Song Court and Linan Streets.” Central Academy of Fine Arts, Beijing (December 3. 2021).

10.“Twin Fans: Rethinking Linan Art Market.” Department of Art, Graphic Design, and Art History. Oklahoma State University (November 7, 2021)

11.“Maritime Trade among Ming China and Its Neighbors.” Department of History, Hangzhou Normal University (September 29, 2021).

12.“The Global Trade of Chinese Ceramics.” Denver Art Museum (July 9. 2021).

13.“An Early Form of Museum Accession Number.” Denver Art Museum (July 9, 2021).

14.”Sunspots, Snowscapes, Grand Councilor In-N-Out: Climate Change as Political Discourse at Emperor Huizong’s Court.” Department of the History of Art, University of Michigan (February 18, 2021).

15.“Wangchuan Villa: Ways to Authenticate a Misattributed Painting.” Department of Art and Art History, Oregon State University (February 11, 2021).

16.“Reassessing Song versus Jin Paintings via Their Physical Properties.” Central Academy of Fine Arts, Beijing (October 31, 2019).

17.“The World in Their Hands: How Ming Emperors Controlled Seized Art and Trades.” The Chinese University of Hong Kong, Hong Kong (April 3, 2019).

18.“A Tall Tower in the Northwest.” Department of Asian and Middle Eastern Studies. University

of Cambridge, UK (February 21, 2019).

19.“The Evolution of Architectural Style in Medieval China, 6th-14th Centuries.” History of Art Department. University of Oxford, UK (January 10, 2019).

20.“Sino-Japanese Courtly Exchange (13th-16th century).” Yuelu Forum for International Scholars. Hunan University, China (December 26-28, 2018).

21.“A Garden Painting during the Bloody Donglin Purge ca. 1625-1627.” Visual and Material Perspectives on East Asia. Department of Art History. University of Chicago (November 16, 2018).

22.“Broom, Hermit, and Eunuch: Garden-Painting as Chen Jiru’s (1558-1636) Political Statement.” Seven Seas Institute of Chinese Calligraphy, Chicago (July 21, 2018).   

23.“Southern Song (1127-1279) Court Painters: How They Multi-Tasked?” Kyushu University, Japan (June 2, 2018).

24.“Transnational Trade in Ming China.” Harvard University (December 8, 2017).

25.“Transformation of Cobalt-Blue: Microscopic Examination of the Jingdezhen Porcelain from the Yuan-Ming Era, 1320-1644.” Department of Art, School of Art Institute of Chicago (October 10, 2017).

26.“The Golden Age of Asian Ceramics, 800-1800.” Department of Art, Mississippi State University (March 27, 2017).

27.“Architectural Components in Summer Mountains Attributed to Qu Ding (ca. 1023-1056).” Department of Art and Art History, DePauw University, Indiana State (April 20, 2016).

28.“Inside the Ming (1368-1644) Inventory System.” Departments of East Asian Studies and Art  History. McGill University, Canada (February 19, 2016).

29.“Art Collecting and Criminality in Ming Imperial China.” Department of East Asian Languages and Culture. Grinnell College, Iowa State (November 21, 2015).

30.“Art Confiscations and Cultural Diplomacy.” School of Art and Art History. University of Iowa  (November 17, 2015).

31.“The Ming Imperial Inventory System at Work.” Department of Art and Architecture. Brown University (March 16, 2015).

32.“The Emperors and Their Henchmen: Art Collecting, Inventory, and Criminality in Ming Imperial China.” Stanford University Humanities Center (April 7, 2014).

33.“Dong Qichang's (1555-1636) Landscape Painting to a Deposed Military Guard.” School of Art. Beijing University, China (October 11, 2013).

八、主要荣誉

1.Faculty Seed Fund. Hong Kong Lingnan University.

2.Andrew W. Mellon Postdoctoral Curatorial Fellowship. Art Institute of Chicago.

3.Smithsonian Institution Postdoctoral Fellowship, Washington, D.C.

4.Center for East Asian Studies Grant, Stanford University.

5.Mellon Foundation Fellowship.

6.Conference Grant, The Chinese University of Hong Kong.

7.Graduate Research Grant, Department of Art & Art History, Stanford University.

8.Geballe Dissertation Prize Fellowship, Stanford University Humanities Center.

9.Graduate Research Grant, Department of Art & Art History, Stanford University.

10.Center for East Asian Studies Grant, Stanford University.

11.Graduate Research Opportunity Grant, Stanford University.

12.Center for East Asian Studies Summer Research Grant, Stanford University.

13.Stanford Center in Beijing Teaching Assistantship.

14.Stanford Ric Weiland Graduate Fellowship in the Humanities & Sciences.

15.Conference Travel Grant, Ministry of Education in Taiwan.

16.First Prize for Ph.D. Dissertation, Central Academy of Fine Arts, Beijing.

17.Overseas Research Grant, Department of Fine Arts, University of Hong Kong.

18.Haishui Qiu Culture Foundation Fellowship, Taiwan.

19.Research Excellence Fellowship, Republic of China Development Foundation, Taiwan.

20.国画创作个展, 台北新庄市立文化中心

21.辅仁大学国画创作比赛第一名

九、期刊审稿

1.Editorial Board for the Chinese journal Study of Chinese Art History 中国艺术史研究 (Beijing: Silk Weaving Publisher).

2.Reviewer for the manuscript, “Empress Dowagers on Horseback: Yingtian and Chengtian of the Khitan Liao (907–1125),” submitted to the peer-reviewed journal, Archív Orientální: Quarterly Journal of African and Asian Studies.

3.Reviewer for the manuscript, “Art Collecting at the Yuan Imperial Court,” submitted to Beijing Palace Museum Journal.

4.Committee and Reviewer for English- and Chinese-language papers submitted to the international symposium Material and Method: Chinese Art History Conference (Shenzhen Museum, October 24-25, 2016).

5.Reviewer for the manuscript, "Chapter 16: China and Korea to 1279," submitted to Gardner's Art through the Ages: A Global History, Volume 1 (Cengage Learning, the 16th edition, 2020), pp. 471-501.

6.Reviewer for the manuscript, " Chapter 33: China and Korea, 1279 to 1980," submitted to Gardner's Art through the Ages: A Global History, Volume 1 (Cengage Learning, the 15th edition, 2016), pp. 988-1003.

7.Reviewer for the manuscript, “An Anonymous Tributary Handscroll Attributed to Tang Dynasty,” submitted to Wenwu (Cultural Relics).

8.Reviewer for the manuscript, “Shanghai Visual Culture, 19th Century,” submitted to Wenwu.

十、其他学术服务

2023  Discussant for Iconography and Politics in the Song, Yuan, and Ming Era 宋元明的图像与政治 (Beijing: Central Academy of Fine Arts, January 11, 2024).

2020  Organizer for the special seminar, “Reimagining and Revitalizing the Chinese Collections at  The Field Museum” (Hong Kong: Lingnan University, February 26, 2020).

2019  Search Committee for Postdoctoral Fellow in Film Studies, Lingnan University UGC Fund HK.

2019  Panel Organizer for “The Swirling Winds: Cultural Exchange in East Asia, 8th-16th Centuries,” Association for Asian Studies Annual Meeting (Denver: March 21-24, 2019).

2018  Symposium Discussant for the A Comprehensive Look: The Cultural Biography of the Daitokuji Five Hundred Luohans From Local to Global Context. Kyushu University, Japan (June 1-4, 2018).

2017  Panel Co-facilitator for the Second Conference on Middle Period Chinese Humanities (Amsterdam: Leiden University, September 14-17, 2017).

2014  Panel Organizer for “Regional Princely Courts of Ming Imperial China, 1368-1644,” Association for Asian Studies Annual Meeting (AAS, Chicago: March 26, 2015).

2012  Symposium coordinator for 2012 Art History Graduate Symposium, Stanford University.

2011  Symposium coordinator for Bay Area Graduate Symposium in Art History, Film and Media (Contemporary Jewish Museum in San Francisco, November 2011).